Alan N. Shapiro, Technologist and Futurist

Blog and text archive about media theory, science fiction theory, future design, social choreography, Computer Science 2.0, new media art, robots and androids, Star Trek, The Prisoner, Jean Baudrillard, Albert Camus, Michel Foucault, and Marshall McLuhan

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From the Technological Herbarium, by Gianna Maria Gatti – Giardino Cablato (Cabled Garden) by Pietro Mussini (translated by Alan N. Shapiro)

June 18th, 2011 in Category: The Technological Herbarium

The digital images of flowers, fields, and gardens created by Pietro Mussini do not constitute the work in itself, but rather a moment of passage, useful for re-elaborating nature, studying forms and expressive combinations of nature's sounds and colors, constructing graphically what will be concretized in sculpture.
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Who are the new radical thinkers in Europe?

October 4th, 2010 in Category: The Technological Herbarium

It’s more important to see that Hegel, Marx, Freud, and Lacan - and even Baudrillard, Derrida, Deleuze, and Foucault - cannot help us to move forward in the mess that we are in. A Supernova Explosion of new phenomena and new realities has taken place, and only truly new original thinking can help us.
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From The Technological Herbarium, by Gianna Maria Gatti – Interactive Plant Growing and Trans Plant by Christa Sommerer and Laurent Mignonneau (translated by Alan N. Shapiro)

October 4th, 2010 in Category: Arts & Genomics, The Illusion Beyond Art, The Technological Herbarium

Botany forms the basis of Christa Sommerer's training: she dedicated herself to it after her secondary studies, at the Faculty of Biology and Botany of Vienna. Her intention was to investigate nature applying and elaborating methods suitable to the classification of plants. to achieve the formulation of systematic rules.
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From The Technological Herbarium, by Gianna Maria Gatti – Nerve Garden by Bruce Damer (translated by Alan N. Shapiro)

October 4th, 2010 in Category: Real/Virtual Reality, The Illusion Beyond Art, The Technological Herbarium

Nerve Garden is a three-dimensional virtual world accessible on the Internet, a "Public Terrarium in Cyberspace," according to the definition of its authors, where the users of the Net can sow and witness the growth of virtual plants.
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Interview with AVINUS Press about The Technological Herbarium

September 8th, 2010 in Category: Humanities Informatics, The Technological Herbarium

"The Technological Herbarium" is an interdisciplinary work, and it places into question in a very strong way the existing division of knowledge into separate spheres like art, technology, natural science, and computer science. I don’t think that these separate categories of disciplinary knowledge are helpful at all anymore.
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The Technological Herbarium, by Gianna Maria Gatti

July 29th, 2010 in Category: Androids & Artificial Life, Arts & Genomics, Book Descriptions, Rethinking Science, Science & Technology, The Technological Herbarium

"The Technological Herbarium" is a study of works of art that exemplify the importance of science and technology in artistic creation. It embodies the invention of a strong philosophical concept that enables the glimpsing – in the coming together of nature and new technologies in the domain of art – of a new real.
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From The Technological Herbarium, by Gianna Maria Gatti – Teleporting an Unknown State, by Eduardo Kac (translated by Alan N. Shapiro)

June 6th, 2010 in Category: Arts & Genomics, Rethinking Science, The Technological Herbarium

"Teleporting an Unknown State" is defined by Eduardo Kac as a biotelematic interactive installation in which the natural biological process at the basis of the artwork is activated by a telecommunications system managed by the computer.
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Considerations on Transgenic and Biotech Art, by Gianna Maria Gatti (translated by Alan N. Shapiro)

April 15th, 2010 in Category: Arts & Genomics, The Illusion Beyond Art, The Technological Herbarium

At the Experimental Art Foundation of Adelaide, Australia, there took place in 2004 the exhibition "Art of the Biotech Era" organized by Melentie Pandilovski. It involved the principal exponents of the artistic sphere connected to biology, genetics and bio-technologies, showing their projects and realizations.
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From The Technological Herbarium, by Gianna Maria Gatti – Osmose by Char Davies (translated by Alan N. Shapiro)

April 15th, 2010 in Category: Real/Virtual Reality, The Illusion Beyond Art, The Technological Herbarium

To enter inside a tree and exit it through the leaves after having participated in its process of chlorophyllous photosynthesis: this is one of the many journeys that Char Davies makes the user of "Osmose" experience in an immersive, interactive, and multisensorial VR environment that was developed and produced in 1995.
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Adolf Portmann on the New Biology, by Gianna Maria Gatti (translated by Alan N. Shapiro)

April 15th, 2010 in Category: Adolf Portmann, Arts & Genomics, The Technological Herbarium

This action, offering light to the plant, enables the latter to externalize its 'interiority'. Suggesting this original meaning is the theory developed in the 1960s by the Swiss biologist Adolf Portmann. Focusing attention on the study of the form of living beings, Portmann elaborates the innovative concept of 'self-presentation'.
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From The Technological Herbarium, by Gianna Maria Gatti – Telegarden by Ken Goldberg (translated by Alan N. Shapiro)

April 15th, 2010 in Category: The Illusion Beyond Art, The Technological Herbarium

Telegarden is a telerobotic installation that enables users of the World Wide Web to see and cultivate a real garden. Conceived in 1994, it was activated in June 1995 at the University of Southern California and presented at the leading international exhibitions of digital art and technology.
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Nature: A Fragment, by Johann Wolfgang Goethe

April 15th, 2010 in Category: German Literature, The Technological Herbarium

Rereading the reflections in which, at the end of the 17th century, Goethe voices his hymn to Nature, one acquires the sense of just how advanced is contemporary man in adding those 'secrets', in gaining access to that 'forge', in procuring those 'powers' which Goethe credits exclusively to the great artist Nature.
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Merleau-Ponty and Marx on Nature and Art, by Gianna Maria Gatti (translated by Alan N. Shapiro)

April 15th, 2010 in Category: Arts & Genomics, Karl Marx, Maurice Merleau-Ponty, The Illusion Beyond Art, The Technological Herbarium

Interrogating Western philosophy, Maurice Merleau-Ponty pinpoints the original meaning of the concept of Nature. "In Greek, the word 'nature' comes from the verb φύω, which alludes to the vegetative; the Latin word comes from nascor, 'to be born', 'to live'; it is drawn from the first, more fundamental meaning."
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The Technological Herbarium: Introduction, by Gianna Maria Gatti (translated by Alan N. Shapiro)

April 15th, 2010 in Category: Arts & Genomics, The Illusion Beyond Art, The Technological Herbarium

Infinite are the facets in which the living manifests itself. Infinite are the possibilities in which it expresses its existence. Art seizes these possibilities of existence, interprets them, advances unusual combinations of them, breaks up their consolidated connections.
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Gianna Maria Gatti’s The Technological Herbarium, by Alan N. Shapiro

April 14th, 2010 in Category: Arts & Genomics, The Illusion Beyond Art, The Technological Herbarium

The hybrid of art and technoscience is the carrier of a new worldview, a new era for cyberspace, new cognitive thought and cybernetic epistemology, and the emergence of authentic post-metaphysical thinking as pointed to by 20th century philosophers like Heidegger, Derrida, Merleau-Ponty and Bateson.