Tag: Shop

From The Technological Herbarium, by Gianna Maria Gatti – Nerve Garden by Bruce Damer (translated by Alan N. Shapiro)

All images © Copyright Bruce Damer, embedded here with the permission of the artist. Nerve Garden is a three-dimensional virtual world accessible on the Internet, a “Public Terrarium in Cyberspace,” according to the definition of its authors, where the users of the Net can sow and witness the growth of virtual plants.

October 4, 2010
The Technological Herbarium, by Gianna Maria Gatti

Gianna Maria Gatti’s book The Technological Herbarium (subtitled: “Vegetable Nature and New Technologies in Art Between the Second and Third Millennia”) is a study of “interdisciplinary” works of art that exemplify the increasing importance of science and technology in artistic creation. Her analysis, however, goes beyond that of a journalistic or curatorial survey of artworks.

July 29, 2010
Around the Town (a Sports Gambling story), part 1 of 4

As they went inside Grand Central Station, Moe and Siggy saw hurried commuters moving with tunnel vision, not looking at the homeless. The bag ladies and street people would put a damper on one’s day. Past the panhandlers and cup rattlers, the squeegee people, and the Monte dealers, the determined nine-to-fivers kept moving.

July 22, 2010
Considerations on Transgenic and Biotech Art, by Gianna Maria Gatti (translated by Alan N. Shapiro)

At the Experimental Art Foundation of Adelaide, Australia, there took place in 2004 the exhibition “Art of the Biotech Era” organized by Melentie Pandilovski. It involved the principal exponents of the artistic sphere connected to biology, genetics and bio-technologies, showing their projects and realizations.

April 15, 2010
The Technological Herbarium: Introduction, by Gianna Maria Gatti (translated by Alan N. Shapiro)

The Technological Herbarium: Introduction by Gianna Maria Gatti (translated from the Italian by Alan N. Shapiro) Infinite are the facets in which the living manifests itself. Infinite are the possibilities in which it expresses its existence. Art seizes these possibilities of existence, interprets them, advances unusual combinations of them, breaks up their consolidated connections.

April 15, 2010
Europe at War in Serbia and Kosovo, by Alan N. Shapiro

On March 24, 1999, the North Atlantic Treaty Organization initiated a bombing campaign from 15,000 feet vectored towards designated targets inside the territory of Yugoslavia. NATO’s spokesmen stated that the systematic aerial assaults were a response to brutalities being carried out on the ground by Serb military and para-military forces against the ethnic Albanian majority.

April 14, 2010