Category: Performance Studies
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The Jig She Saw: Reflections on Creating Relational Encounters in Participatory Theatre, by Regan O’Brien
I will be reflecting on the theories and practice of creating and performing The Jig She Saw: Reflections on You, a small scale immersive, interactive performance installation. The project is rooted in Relational Aesthetics as discussed by Erin Manning in Relationscapes, and in social choreography in relation to William Forsythe’s research on the ‘choreographic object’.