Category: Rethinking Science

The Technological Herbarium, by Gianna Maria Gatti

Gianna Maria Gatti’s book The Technological Herbarium (subtitled: “Vegetable Nature and New Technologies in Art Between the Second and Third Millennia”) is a study of “interdisciplinary” works of art that exemplify the increasing importance of science and technology in artistic creation. Her analysis, however, goes beyond that of a journalistic or curatorial survey of artworks.

July 29, 2010
From The Technological Herbarium, by Gianna Maria Gatti – Teleporting an Unknown State, by Eduardo Kac (translated by Alan N. Shapiro)

Telepresenza, bio arte, arte transgenica: questi saranno i temi al centro del racconto di Eduardo Kac, l’artista che a partire dagli anni ‘80 è stato il pioniere delle nuove declinazioni artistiche del biologico ed è riconosciuto internazionalmente come fondatore della Transgenic Art.

June 6, 2010
Alan Sokal on French theory and Science

Ah yes, rely on so-called “French theory” so-called authority Alan Sokal to provide you with an excuse to not read Baudrillard, Derrida, Foucault, Deleuze, Lacan, and Virilio. That’s very bright. Ignore the intellectual contribution of an entire nation. The one that co-invented democracy.

April 15, 2010
Considerations on Transgenic and Biotech Art, by Gianna Maria Gatti (translated by Alan N. Shapiro)

At the Experimental Art Foundation of Adelaide, Australia, there took place in 2004 the exhibition “Art of the Biotech Era” organized by Melentie Pandilovski. It involved the principal exponents of the artistic sphere connected to biology, genetics and bio-technologies, showing their projects and realizations.

April 15, 2010
From The Technological Herbarium, by Gianna Maria Gatti – Osmose by Char Davies (translated by Alan N. Shapiro)

To enter inside a tree and exit it through the leaves after having participated in its process of chlorophyllous photosynthesis: this is one of the many journeys that Char Davies makes the user of Osmose experience in an immersive, interactive, and multisensorial virtual reality environment that was developed and produced in 1995.

April 15, 2010
Adolf Portmann on the New Biology, by Gianna Maria Gatti (translated by Alan N. Shapiro)

This action, offering light to the plant, enables the latter to externalize its ‘interiority’. A fascinating interpretation that, deriving from an unusual vision of the artwork, instills in it a deeper and certainly original value. Suggesting this original meaning is the theory developed around the time of the 1960s by the Swiss biologist Adolf Portmann.

April 15, 2010